![]() ![]() It allows you to feel comfortable in both the business and leisure environments because you won’t be over or under-dressed. When else is a great time to wear your unconstructed jacket? After work! You’ll see people sporting this jacket at weekend events or social gatherings in the evenings. It will often stand for being rolled into a suitcase, meaning you don’t have to travel with bulky garment bags. In fact, the unconstructed jacket usually requires less care than a tailored suit jacket. (It’s often as easy as hanging your jacket in a steamy bathroom). If you choose a jacket made from wool or a wool blend, the natural stretch of the wool helps any creases to drop out. The breathability means they are very comfortable and the unconstructed nature makes them easy to fold or tuck away. If you’re someone who travels a lot, an unconstructed jacket may be your new best find. Think spring or summer wear – these jackets are lightweight and very breathable. ![]() However, the unconstructed jacket has gained acceptance in many workplaces where the dress code leans more toward business casual. It doesn’t have the padding, lining and stiffer lines that are expected in formal situations. The answer is quite simple – in any workplace or on any occasion when the dress code is formal, an unconstructed jacket is not appropriate. An unconstructed jacket is one of the most versatile wardrobe pieces Click To Tweet When to wear an unconstructed jacketĪs we mentioned, one thing we love about this jacket is its versatility that said, let’s start with when NOT to wear it. In fact, they have become a popular staple for men’s wardrobes. You will find unconstructed jackets in different wools, knits, linens or blended combinations. The shape is more soft and loose, but this type of construction needs to be well-tailored and accessorized. The goal is to be lighter in weight and have an artful casualness and elegance. The unconstructed jacket is often more like a medium or heavy-weight shirt, however it is cut like a jacket with vents, lapels and pockets. Some other common features of the unconstructed jacket might include patch pockets, exposed seams and working cuffs. ![]() (Some versions have no lining, or just a partial lining to allow for pockets). It retains the shape and hallmarks of more formal dress, but does not have shoulder pads, canvas or possibly even an inter-lining. Click Here What is an unconstructed jacket?Īn unconstructed jacket can be described like a shirt jacket or blazer. “I knew this was going to happen,” she added dryly, clearly aware her charismatic, witty accomplice would not be able to remain quiet for long. “Peggy, you can come and sit here,” Weaver reminded her, before reorienting the laptop so Shaw could be onscreen. Shaw, who was just off-camera, piped in: “We’ll make another movie.” (She and Weaver were calling from their Catskills house they also each have a studio in Manhattan’s East Village.) “I feel really pleased with the way it is.” Yes, but what if she really means it now? “For whatever reason, if it’s the last one, I feel really happy that it exists in this form and that it’s manifested itself in this way,” Weaver said. Then again, “Peggy has said this is her last show since we started working together 40 years ago,” Weaver said, laughing. Shaw has long been a singular presence on the American theater scene, a butch lesbian who has regularly explored her identity in such pieces as “Menopausal Gentleman.” This makes Weaver’s matter-of-fact mention that the project would be Shaw’s last performance all the more bittersweet. In that otherwise bare house, the two women - “Peggy and I are an off-again-on-again couple,” Weaver noted their complicity during the joint interview was obvious - resumed work on “Last Gasp,” the new show they were meant to perform at New York’s La MaMa in April and London’s Barbican in June 2020. “We got her toaster, microwave, plates - which we brought back to New York because we love them so much,” Weaver said. Recounting the experience, she said friends and fellow theater-makers had donated furniture, and someone who was moving to a nursing home gave them kitchen equipment. “There was electricity, heat, running water and one chair,” Weaver, 71, said, describing the London house in a recent video call from the Catskills. Luckily, neighbors of Weaver’s volunteered an empty house they had been planning to gut-renovate. Weaver, who has spent part of the year in London for nearly two decades, teaching performance at Queen Mary University, had a shared place there, but Shaw’s accommodations across town were an issue. It made more sense to stay put than to scamper back home to New York, which looked pretty scary at the time. Back in March, Peggy Shaw and Lois Weaver, of the theater duo Split Britches, were in Britain, developing a new show, when Covid-19 exploded. ![]()
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